Part of the problem is that ‘Breaking Bad’ ended so perfectly. It’s not bad, by any means – for devotees, it’s a satisfying couple of bonus hours riding shotgun with Albuquerque’s lovable answer to Job: Aaron Paul’s terminally unlucky Jesse Pinkman – but it never gets beyond being a classily-made slice of fan service. When he awakes in the morning, Ana Maria and the children are gone, but in a letter, she promises that he will see the children, but not her.Warning: contains ‘Breaking Bad’ spoilers from the startĮver wondered what the first thing Shane did after he rode over the horizon? Or how Red and Andy set to work on that Mexican beach in ‘The Shawshank Redemption’? For those who argue that a perfect ending is best left untouched, this sporadically enjoyable but inessential and often inert Netflix ‘Breaking Bad’ extension is basically exhibit A. The final scene shows the couple retiring for the evening Johnny, however, in the middle of the night, has a nightmare about Tanya's death, and calls her name in his sleep. Johnny and Ana Maria seem to reconcile after Tanya's death. It is also revealed that Tanya's real father was in fact Ismael Montegarza, patriarch of the Montegarza family and father of Bernardo, Alejandra and Ricardo Ismael refuses to have anything to do with Bernardo after realizing what he had been doing, and decides to support Ricardo, the only son who was truly loyal to him. Graciela becomes pregnant with Ricardo's child, but she begins to like Ángel more as a potential husband. It is later discovered that Johnny did not cause Bernardo's death (his own sister Alejandra, who was secretly in love with Johnny, had sabotaged a truck thinking that Johnny would use it), and while he was struggling to decide whether he wants to stay with his wife or his girlfriend, Tanya dies taking a knife thrust intended for her rival – Johnny's wife – Ana Maria.Ī side story involves Tanya's friend Graciela being pursued by Bernardo's younger brother Ricardo, and egged on by her mother, but preferring Ángel, who along with Raymundo are pursuing a drug trafficker known simply as Medusa, who turns out to be Bernardo, who was taken in by a drug cartel and changed his identity. Tanya does not know he is married, and Raymundo, a police officer in love with Tanya, is working with fellow officer Ángel to pursue the head of the family that blames Johnny for the young man's death. Johnny is still very much in love with his wife ( Laura León) when he falls for a young waitress, Tanya ( Bibi Gaytán), whose mother owns a restaurant that Johnny frequents. Johnny had enemies in Tijuana, where he was blamed for the death of Bernardo Montegarza (Eduardo Liceaga), son of the Montegarza family.
#EL CAMINO CAST AND CREW FREE#
used the then-new North American Free Trade Agreement (NAFTA) as a backdrop to the story Johnny transported merchandise from Mexico to the United States.
#EL CAMINO CAST AND CREW DRIVER#
The series tells the story of Juan Daniel, known as Johnny, a U.S.-born Mexican truck driver and family man who falls in love with a woman he meets in his travels, and of the complications as a consequence of his new love. Tejano singer Selena appeared in two episodes. Įrik Estrada, Laura León and Bibi Gaytán starred as protagonists, while Enrique Rocha, Claudio Báez, Luz María Jerez, Elizabeth Dupeyrón, Lorena Herrera, Eduardo Liceaga and Rodrigo Vidal starred as antagonists.
This production was exhibited in 47 countries, including Indonesia, had high viewer ratings, and has been described as one of Televisa's most successful telenovelas. Dos mujeres, un camino (English title: Two women, one path) is a Mexican neo-noir telenovela produced by Emilio Larrosa for Televisa in 1993-1994.
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